Group of Objects
For this piece, I thought I would gather a few different objects from around the local art class I attend and sketch them whilst there. I arranged some objects and, thinking the glass milk bottle would be the hardest piece to replicate due to its symmetry and difference in shade, tone and reflection, I made a sketch of it in my sketchbook to familiarise myself with the shape before continuing to the main piece. I decided that, due to working on such a large scale, I would forgo the pencil and attempt the piece in willow charcoal instead. I thought this would have a much bolder result on such a large-scale piece of paper than a pencil would and, since I was only concentrating on the outline, the pencil would be very fine and almost invisible if viewed from any amount of distance. I was rather disappointed with the end result as I thought it had an almost cartoon-like appearance. I was also disappointed that I had not managed to scale the objects properly in the beginning due to not measuring the objects out on the sheet first, but I thought it was quite good considering it was only a quick attempt and did not have much effort put into it really.
I then thought I would try a different group of objects due to the first not including anything loose and also wanting to try and draw the objects inside, as requested, which I had only then realised I had not done in the first piece. I settled on my daughter’s bath toys and net bag. I was rather dubious about the bag as I thought it much too delicate and intricate for my liking – I am not a fan of creating very fine, detailed work personally (and more so with my tremor sometimes deciding on the line’s direction and structure for me!) – and so expected to become frustrated by its delicateness. I thought the pink jug would by far be the easiest object to recreate. I began the piece by drawing two sketches in my sketchbook of the net bag and its enclosures to familiarise myself with the bag and the weight of the items inside it before continuing onto a larger scale.
I created my larger piece in black biro on a sheet of A3 sketchpad paper. I was actually pleasantly surprised by the end result of this piece; I had somehow managed to integrate delicate lines for such things as the net bag and the outline of the objects which could not be seen by the naked eye, but also deep, dramatic lines for the shaded areas. I did not want to concentrate too heavily on the shaded areas due to the piece being mostly focussed on just an outline, but couldn’t help myself in adding just a little (and rather loosely) in certain parts of the picture to help clarify the depth and weight of the objects and their locations within the piece.
I really enjoyed this exercise and have learned a lot from it. Mostly I have learned that just because something looks as though it will be difficult to replicate, it is worth giving it a go as there may be different ways to recreate it without going very deeply into fine detail and precision. I think it is also important to try to visualise the items which are inside other items and understand their composure to appreciate how and why the final resting place comes to be. I think this will come in useful when drawing the figure; trying to imagine the placement of muscles and other tissue underneath the skin, why they are there, what purpose they serve and what impact they have on the image you see before you and also in architecture when considering the framework and foundation, and also who might inhabit each building, considering their individual stories. Finally, I think the structure of the objects and the spacing between items in the final piece is quite good compared to my earlier pieces. Perhaps this is because I am now beginning to see the importance of ‘reading between the lines’ so to speak. I will definitely be referring back to this piece in the future.